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The coronation of Leopold II in Prague in 1791 came at a difficult time for European monarchs, although Leopold himself enjoyed a reputation as an enlightened ruler. Two musical works were commissioned for the occasion: Mozart’s opera La clemenza di Tito and Ko?eluch’s cantata Heil dem Monarchen. The cantata, by turns celebratory, serene and darkly dramatic, was well received and enhanced Ko?eluch’s reputation in royal circles. It almost certainly played a part in his appointment in 1792 to the court of Leopold’s son and successor, the last Holy Roman Emperor Franz II.老妇人50-60-70-80 *请使用支持5.1声道音源的设备播放这张管风琴作品专辑由三位作曲家创作，他们来自不同背景，却对这件乐器有相似的感觉。Trygve Madsen跟随20世纪最重要的先锋派宗教音乐作曲家Egil Hovland学习；Kjell Mørk Karlsen生长在一个教堂音乐的环境中，启蒙者是他的父亲——一位在奥斯陆大教堂任职超过15年的管风琴演奏者。Kjell Flem学过钢琴和管风琴，知晓乐器的技术和音乐的可能性。Karlsen的音乐建立在德国的路德教传统之上，Madsen有趣的风格更接近法国管风琴音乐，Flem的灵感则来源于奥利弗•梅西安，充满异域风情。不过他们三人创作的都是无调性音乐。
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